Wednesday, 26 December 2012

vol de nuit


 Sometimes on a winter night here, you can see the wild geese flying high overhead, lit by the city lights. The first time I saw them, I was in the back garden drinking coffee before setting off on my motorbike to join a ship; I felt like a fellow traveller. Last winter I saw them when I was up on Observatory Hill admiring the snowy landscape.

Vol de Nuit is a book by Antoine de Saint-Exupery; checking up, it turns out it's not one I've read, and it ends badly. I used it as the title here because of that feeling you get when travelling at night, which reminds me of the mood of his books. And of course it sounds dead arty. Pretentious? Moi? Oui, cher lecteur.


...here's the soundtrack for a night journey- Jonathan Richman and the Modern Lovers: Roadrunner.



Monday, 24 December 2012

The Oxen


 The Oxen
Christmas Eve, and twelve of the clock.
   "Now they are all on their knees,"
An elder said as we sat in a flock
   By the embers in hearthside ease.

We pictured the meek mild creatures where
   They dwelt in their strawy pen,
Nor did it occur to one of us there
   To doubt they were kneeling then.

So fair a fancy few would weave
   In these years! Yet, I feel,
If someone said on Christmas Eve,
   "Come; see the oxen kneel,

"In the lonely barton by yonder coomb
   Our childhood used to know,"
I should go with him in the gloom,
   Hoping it might be so.

Thomas Hardy

I love this poem; it fits my own feelings at Christmas quite well. I remember the sense of magic about the Christmas story, and feel its absence now I am both older and a lapsed Anglican (ex-Anglican? post-Anglican?); magic, for me, is now far more elusive, though still there sometimes in the corner of my eye.

So I wanted to do a picture to go with it. It was a bit of a rush to get it finished in time for Christmas Eve! We had a good day; House Teenager was busily either painting at her desk or learning Fairytale Of New York on the ukulele, and I was doing this.  The gold paint for the detailing on the dressing gown was a bit of an experiment, and I quite like it- you can't see the glow of the paint on this image, but it's there! House Teenager posed for the picture, as did Ted, Deborah's lively galoot of a collie.

Saturday, 15 December 2012

excessively feminine

exaggeratedly female


An interesting article on Huffington Post focuses on the implications of a line from a telly show, Husbands:  "I'm a man with an exotic femininity in a society that regards the feminine as a sign of weakness."

I found it particularly interesting because of my own, trans experience of that attitude. From an early e-mail from an old friend telling me that I wouldn't solve my problems by flouncing about like a pantomime dame (she hadn't seen me, she just naturally assumed that this is what trans women do, I guess) to a criticism of my behaviour by the Chief Engineer of the Pride of Bilbao, cited at an Employment Tribunal; "she acted in an exaggeratedly female manner", he said, though he didn't explain how I managed that.

He wasn't there in person; his 'statement' was read out by Sandra Ray, a personnel officer with P&O. "Has anyone ever accused you of acting in an exaggeratedly female manner?" I asked.

She seemed a little surprised by the question.

The surprise was, of course, due to the perception of my femininity as being purely performative; as they evidently saw me as a man, any feminine behaviour on my part was exaggerated (though I'm still not sure that I did anything that I would have described as characteristically gendered either way). But in a wider sense, femininity is seen as performative, whoever is performing it. Indeed, some people see all gender behaviour as a performance (in the sense of it being artificial), rather than simply performative (in the sense of being what we do); and some see femininity as a divergence from best practice, which is, by default, masculinity.

There's an element of this attitude in the uber-trans woman who insists that she never wears skirts, but lives in jeans, when others lower down the pecking order are enthusing about their new-found freedom to explore female clothes options. It's one-up-person-ship, of course, but still buys into the narrative.

Julia Serano is a useful read on this stuff, by the way, if you haven't encountered her "Whipping Girl:  A Transsexual Woman on Sexism and the Scapegoating of Femininity".

(a quick and imperfect post, shall review it later...)

Friday, 14 December 2012

cold feet

Of all the corvid family
It's rooks wot wears the trousis
Though only then down to the knee
-the rest the cold wind blowsis
 
The last few days have been seriously cold in Bristol; the hoarfrost remained unthawed for ages, and the local crows have responded to the freezing conditions by shouting obscenities in the trees at the back of the house; "FAAAACK....FAAAACK". Crow calls on cold days seem particularly appropriate. It got me thinking of how cold birds' feet must get. Hence the rhyme, which doubles as a useful aid to identification. 

House Teenager's feet must get pretty cold too, being generally bare. "Why don't you put some socks on," I asked. "I don't have any socks," she said. I suspected that this meant that the socks were under the great heap of clothes that covers the floor of her room. But I dug out a pair of hiking socks for her, anyway, from my marginally less chaotic pile.

Change is blowing in now, though; a breeze sprung up in the night, and it's gone all foggy and, well, at least it's above freezing. You notice the weather when you don't have central heating!

Saturday, 8 December 2012

the trews is out there

 

One of the first acts of Bristol's newly-elected Mayor, George Ferguson, was to change the name of the Counts Louse to Bristol City Hall.

This sign appeared outside the building the other day, and was immediately adjusted to include George's 'trademark' red trousers.

Friday, 30 November 2012

a song for Leveson

Leveson, oh Leveson,
I still hear your testifying,
And recall the papers lying.
We're all watching, Cameron
-better act on Leveson.
 
 
...I do have a dog in this particular fight, of course...

Thursday, 29 November 2012

back on the road again


 Driving an old Morris isn't all Housewives Choice on the radio and bowling along Devon lanes in search of cream teas and ginger beer, you know.

Sometimes, maybe.

Grubbing around underneath the car on a winter's day is a whole lot less fun, but sometimes inescapable. The rattle that had been coming from the front wheel was getting worse. I'd thought it was a worn rubber bush in one of the trunnions (trunnions are the things that connect the upsy-downsy bit to the lefty-right bit on the front wheels. Sorry, but sometimes you have to use words like 'trunnion' and 'kingpin', because otherwise there aren't any convenient words available).

It wasn't that, though, it was the damper. The damper has an arm that connects to the top of the wheel assembly, and smoothes out the up-and-down motion as the wheel rides over bumps or leans into and out of corners. It's got a little hydraulic piston inside it, that damps the motion. Hence the name.

Anyway, the damper had come loose from the bulkhead, and the retaining bolts and the place they screwed into had been damaged beyond repair.

So there was much quiet intaking of breath at the thought of the narrowly-averted disaster of a wheel collapsing at speed. And 'O no! How am I going to fix this?'. There was quite a bit of that, too.

When I  finally got going, and had all the stuff I needed (after cycling miles and miles all around Bristol, to the Charles Ware Morris Centre on the southern fringe of the city (UNF bolts and recon damper), Bristol Tools (ace shop on the Gloucester Road) and Stone's Fastenings in Old Market (ace nuts and bolts shop in Old Market)) ....finally, as I say, getting the bit between the teeth, it was quick and straighforward.


I drilled two big holes in the cross-member, to get access to where the retaining bolts go through. Then drilled out the worn threads of the bolt holes. Then inserted extra-long bolts, and secured them with nuts and spring washers. Job done.

You can only see one of the holes in this picture, because the torch is sitting on top of the other hole, illuminating the bolt end there. See?




Here, by the way, is what the damper arm looks like if you take away the wheel assembly. The trunnion sits on that pin there, with a couple of rubber bushes sleeved on.