For World Poetry Day, here's a little guerrilla poetry on the towpath. I'm sure you can work out the back story!
(Boat Teenager just saw this and said "the best kind of passive aggressive sign is that made in poetry". So there you have it.)
The lights were on at the Fisherman’s Rest
but nobody was at home;
for their halves of mild had added a zest
to the anglers’ habitual moan-
“Oh what shall we do with the otters, me lads?
They’re a-coming on over to here
and swamping our culture. It makes me so mad
that they’re threatening all we hold dear
with their sinister plottings and otter cabals,
and something has got to be done!”
Forthwith these stout fellows marched to the canal
with rat poison, snares and a gun.
They stalked through the reed beds as bold as you wish
intent their foul deeds to perform
and they swore every otter that ever ate fish
would regret it’d ever been born.
then a cloud hid the moon, and from deep in a culvert
a whistling forthwith was heard,
and a patter of paws quite like those of werewolves, that
would make any sane person scared.
’Twas the otter apoc’lypse, aquatic disaster,
an Armageddon of Tarkas;
there was crunching and chewing, and screams, then at last a
great stillness of bones and old parkas.
And everyone swore, as they passed down the pound,
that the place was now cheerful enough
how the miserable sods with their rods weren’t around
-just the wild creatures, doing their stuff.
The kingfisher up in that treePresently the anglers set up their little lunar landing craft and perched on the side of the canal, working hard to disprove Donne's claim that no man is an island, and grudgingly nodding or ignoring me as was their wont.
Has no time for philosophy;
No longer by the dawn obscured,
It seems entirely self-azured
Back through the gloaming to Hallaig
Through the vivid speechless air,
Pouring down the steep slopes,
Their laughter misting my ear
And their beauty a glaze on my heart.
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Such a long, still autumn was bound to come to blows eventually, but I was grateful for it while it lasted; the mild, still days succeeding each other, as the woodlands’ colours insensibly varied and deepened; olives, russets and deep scarlets that slowly turned to ochre and umber. In the thinning woods that overlook the cut, the stars can be seen at night; the fox barks, the tawny owls call to each other in the half light, and a single cronk announces start of the heron’s day shift.