Showing posts with label white horse. Show all posts
Showing posts with label white horse. Show all posts

Monday, 7 October 2019

the White Horses of Wiltshire


This is my new map of Wiltshire's white horses (and of course Uffington, which is in Oxfordshire but I could hardly leave it out now, could I?). It's available from my Etsy shop in various sizes; here's the link to the big version (it comes in A3, A4 and postcard)

 I've taken some liberties with perspective, distance and orientation, because some of the slopes upon which the horses are found are north-facing, and some (well, the Devizes one at least) are so shallow that the horse is considerably foreshortened. Do you draw them as seen from below? From some distance away? From above? It all depends. So it goes. 


My friends made some useful and helpful suggestions for Things To Put On The Map. Without Deborah Harvey's compendious knowledge of West Country history, I'd never have known about the Salisbury Hob-Nob, a hobby horse with hobnails for teeth and a nasty bite. And although to my knowledge the RAF never dropped horses by parachute, only mules by glider, and then only in the Far East in the Burmese jungle, Richard Jones pointed out that one of the most useful gliders in that war was the Airspeed Horsa, many of which took off from Wiltshire airfields on D Day. Which is enough to get it onto the map; I do like drawing aeroplanes. Ditto the Westland Dragonfly up at the top there, suggested by Christine Beckett. There is an obscure horse reference there, and if you can identify it you will win a round of applause. 

There's a couple of artefacts from the Wiltshire Museum in Devizes. I went there to find the Romano-British horse and rider brooch found at Cold Kitchen Hill ('thought possibly to have a religious significance', which an archaeologist friend says is what they say when they haven't a clue), but also found the Marlborough Bucket, which was worth the entry fee alone. It's decorated with heads and horses, and is reckoned to be Gaulish work. The Celts apparently used their buckets to binge from (they'd have fitted well into canal society, particularly the society of Sherry Jim, I reckon); and the decorative metalwork would have enclosed the wooden staves of the bucket, which was left as grave goods in a burial near Marlborough. Anyway, the representation of the horse is interesting to compare with that of Uffington, although Uffington predates the Marlborough Bucket by a considerable time. Probably.

There's Wayland the Smith, outside his smithy, which is a long barrow on top of the North Downs near Uffington. If you leave your horse there with some money, the elusive Wayland will shoe it for you. Best not get on the wrong side of him, though, he might make a drinking vessel out of your skull like he did with Niðhad's sons, though admittedly Niðhad had hamstrung Wayland. The story of Wayland was brought over by the Saxons, so I've given him yellow hair. He features in the Anglo Saxon poem Deor, by the way, each verse of which features someone having a truly horrid time, and then ends with the refrain Þæs ofereode,  þisses swa mæg - 'that came to an end, this may well do so too.' A bleak sort of comfort, but one that I've recited to myself fairly often in hard times. (If you want to recite it too, then þ is runic 'thorn' and pronounced 'th', and all letters are sounded; thus 'ofereode' is 'over-eh-odour')


Some horses had makeovers; so there's been a horse at Westbury for longer than the present one may suggest, with its Stubbs-ish appearance dating from 1778. And some are relocated; so the Devizes white horse is on a hill around the corner from the earlier one which had a far more imposing position on Roundway Hill, from where it would have been visible for miles across the vale of the Wiltshire Avon. The Alton Barnes horse was inspired by envy of that at Cherhill to the north, and its construction was complicated by the chap employed to do it scarpering with the money. 

Coincidentally, the white horse at Alton Barnes, which is less than five miles from where I'm moored right now, is in the news this morning after an Extinction Rebellion logo appeared on it. Apparently it's being removed even as I write. 

Anyway, there we go. I think I'm going to have to scan the picture again, there's a line across it where there's a dead spot on the scanner. This picture is five scans stitched together, and it's a damn nuisance when something slips through like that. And it's pouring down now, and to get the computer up and running I need to stick the generator out on the back deck, and then put a brolly over it. And that can wait till daylight, and as there's a neighbouring boat I can't run the genny before 8 o'clock anyway. 

And then I can send it off to the printers. And tidy up the damn boat. Honestly, it goes to pot when I'm working on a picture.

Wednesday, 16 December 2015

another starry picture

fireball over Alton Barnes

....here's Leo, and a fireball, and the Alton Barnes white horse as seen from the canal near Honeystreet. Just a picture I wanted to do; and the generator charged up the boat batteries while I had the big computer running so that I could do the digital processing....

Been v busy sending off Christmas orders lately. I did a small print run of cards for my own use, like this- life on board nb Eve...

Christmas Eve

...I scanned it before I coloured it; was thinking I might do a colouring book, as they seem quite popular at the mo. If that is your thing, feel free to download the pic and have a go!


Sunday, 1 March 2015

March hare

Uffington hare in autumn

...this particular March hare was started in autumn, hence the seasonal fruits. But I finished it today after it had been sitting around for months. And it's the first day of March. So happy St David's Day!

Saturday, 6 December 2014

Uffington Hare



The new picture, following on from the Questing Vole, shows a hare looking up at Lepus, the constellation of the hare, below Orion and pursued by Sirius (though you can't see them in this pic, just in case you were looking). I drew the picture then scanned it and coloured it using Paint Shop Pro. This is good for those deep, smooth colours, as you see; I'd made two starts at this picture using watercolour, and put them aside as it just wasn't the medium for the picture I had in mind. 

As several people asked if it was going to be available as a card, I thought I'd better get some printed up; the cards won't be ready for a few days yet, but I've just picked up some prints and they can be got here on Etsy

Monday, 11 August 2014

Alton Barnes White Horse


Here's the finished picture that I showed in the earlier stages in my previous blog post. The Alton Barnes white horse looks out over the Vale of Pewsey, which is a lovely, wide open place where you can sit up on the Down and gaze over to Salisbury Plain and imagine the far distant past, in between admiring the evolutions of the huge jet fighters that occasionally wheel over the Plain, and the distant rumble of artillery.

I had a paint crisis on Saturday, when I put on a wash for the sky, and it went horrible. I use Daler Rowney hot-pressed paper, because it is really smooth and allows me to paint very fine detail. But the flip side is that it won't suck up huge amounts of paint. So I did a quick dash to Bristol (Wiltshire seems a bit deficient in art supply shops) and picked up some gouache from Harold Hockey's. The sky is painted with Winsor and Newton's Permanent White, which is their most opaque; and Brilliant Blue mixed in with it. 

Friday, 25 October 2013

Uffington lark


uffington lark a4, originally uploaded by Dru Marland.

...whoops, accidentally posted this here from Flickr! -oh well, since it's here... Last picture for the anthology. All done now, and time to finish the editing and formatting. Thank goodness for Adobe InDesign, says I.

I like the effect in this picture; it's an ink drawing scanned and processed in Paint Shop Pro, except for the skylark which is a watercolour. I remember seeing the church tower in Uffington village, just like this, when I stopped on my way there a few weeks ago, as I was returning to Bristol from Oxfordshire. Though it was sunset on an autumn day, then. I got up onto the hilltop above the horse as the twilight deepened, and was alone with the soughing of the wind in the dried grass, and the call of the kestrels.